One shoot day a month becomes twenty pieces of vertical content. Scripted, filmed, cut, captioned and delivered ready to post — so your feed stops going quiet the week everyone gets busy.
Most businesses don't have a content problem. They have a consistency problem. The first three weeks go well, then a big job lands, nobody films anything, and the account goes quiet for a month.
Batching fixes it. We film everything in one organised day, then release it across the following weeks. You spend a few hours on camera; we handle scripting, filming, editing, captions and the delivery schedule.
Everything is shot vertical-first for Reels, TikTok and Shorts, with wide cut-downs for your website and paid ads. You own every file outright.
What's included
What you actually get
01
Pre-production
Hooks and scripts written before the shoot day, so nothing is improvised on camera.
02
One shoot day
Half or full day on location. Multiple looks, multiple setups, everything captured in one visit.
03
Editing and captions
Every clip cut, colour-graded, captioned and formatted 9:16 with wide versions for ads.
04
Delivery schedule
Clips delivered in batches with suggested posting order, not dumped in one folder.
How it runs
The process, start to finish
Strategy call
Thirty minutes on what you sell, who buys it and what's already worked. We come back with content angles, not a generic questionnaire.
Scripts approved
You see the hooks and talking points before anyone turns a camera on. Changes are cheap at this stage and expensive later.
Shoot day
We arrive with everything. Most clients are done in four to six hours.
Cut and captioned
First batch inside seven days. Two rounds of revisions included.
Posted and measured
You post, we review what performed, and the next month's angles follow the data.
What it costs
Priced to the job, not off a menu
Ongoing content work in Sydney typically runs somewhere between $1,800 and $5,000 a month. Where you land depends far more on how often we shoot and how much of the channel we run than on the number of clips.
We scope every job properly and put a fixed number in writing before anything starts.
No hourly billing, no surprises at the end.
What moves the number
How often we film — one day a month is the usual starting point
Whether we script and direct, or you already know what you want said
How much lands on us afterwards: posting, ads, reporting
Whether the footage also has to serve paid campaigns
